Monday, December 14, 2009
The Everybody (members of The Pixies), SoundCloud and Topspin Media call for remixers.
The album is being made available exclusively at The Everybody website as a Creative Commons licensed, royalty-free package of lossless stems. The band are selling this package for $40 (via our friends at Topspin), which might at first sound like quite a bit but in fact you’re actually getting a lot. The stems are licensed and royalty free which means you can make your own version and (as long as you’re providing attribution back to the band) you can in theory make lots of money selling whatever you’ve created. We think that’s pretty badass!!
Read the full story here.
Cool concept. For aspiring producers who have trouble creating songs when starting from scratch (e.g, those who lack formal musical training), purchasing royalty-free stems could be a good way to go.
Or, for rappers who don’t compose intrumentals, how many of them would buy a collection of royalty-free Timbaland beat stems for $40? A lot.
reblogged from david-noel
Thursday, December 10, 2009
Apple is supposedly planning to use its acquisition of online music service Lala to transform iTunes into a Web-based service
The future of music is Web-based, on-demand broadcast to any home or mobile phone.
But.
If it’s true, folding lala into iTunes will introduce lala (or lala’s technology) to a wider audience, but I don’t see it increasing the purchase of web-only tracks significantly in the near-term. Without reliable mobile 3G connections or a local cache for offline listening, it’s too risky for customers. For computer-based listening, it’s cheaper to go with Rhapsody or Napster—neither of which is overwhelmingly popular. (Spotify may change this when it comes to the US.)
In the US, the most likely early adopters of Web-based music are mobile, tech-savvy music fans in urban areas—i.e., iPhone owners. But AT&T’s network is iffy in heavy areas, they’re trying to move backward on unlimited data access, and it doesn’t look like the iPhone is going to CDMA anytime soon. This is gonna take a while.
reblogged from mattlehrer
Tuesday, December 8, 2009
Wow.
MySpace didn’t bother to open up a transition period, or nudge imeem accounts into MySpace accounts, or even force an account conversion: they straight-up turned imeem off. (imeem.com now redirects to this landing page.)
I saw the writing on the wall, but I didn’t expect anything like this. I can’t explain how glad I am to have migrated RRR’s song players from imeem to SoundCloud in September.
Monday, November 23, 2009
Nice coverage of 8tracks’ positioning in the digital music sector in Wired today: http://bit.ly/7ofOzY
reblogged from 8tracks
Friday, November 20, 2009
We now extract album art from uploaded music!
Developers can even add this art to Tumblr themes with:
{block:AlbumArt} <img src="{AlbumArtURL}" /> {/block:AlbumArt}And access Artist, Album, and Track information like this:
{block:Artist} Artist: {Artist} {/block:Artist} {block:Album} Album: {Album} {/block:Album} {block:TrackName} Track: {TrackName} {/block:TrackName}
Now we’re talking.
On another note, this is much different, but to connect Tumblr more properly to artists: it would be sweet if artists could maintain a list of their songs and the preferred click-through URL of each one. (Only after getting authorized as the actual artist or label, and afterward, only for songs under their umbrella.) If Tumblr finds a match in a song post, the author would then have the option to check a box to have the song’s click-through link set as the artists’ preferred page, both on the art and the [artist - title].
That sounds overly complicated, and it is, but maybe somewhere in there is a simpler way of achieving the same sort of connection.
reblogged from staff
Tuesday, November 17, 2009
I have nothing smart to say about this. This video is ridiculous, weirdly executed, and thoroughly fun to watch.
Okay. One-and-a-half things to say. But they’re not even very smart.
I think there are two sane reasons for a Big Act to be on a Big Label today:
…
Hey check out this vodka commercial.
reblogged from merlin
Wednesday, November 11, 2009
reblogged from mrgan
Thursday, November 5, 2009
Outrage over wall blocking free U2 Berlin concert - Yahoo! News (via david-noel)
Bizarre. Aside from the irony, it’s not like they lose revenue by letting outsiders see/hear the concert. (I’m confident it will sell out either way.)
reblogged from david-noel
Tuesday, November 3, 2009
(Updated)
Dear Bowery Ballroom,
Could you please ditch Ticketmaster? For $15 tickets they charge over 20% for a “convenience charge” ($3.10 per ticket), then charge between $14.50 and $19.50 to print and send you your tickets, then charge a $4.10 processing fee.
If you want real tickets, the price jumps from $30 (original) to $59.80. So for a company that handles massive quantities of printing and shipping, mostly electronically, they make over 2/3 (after UPS charge) of the what the venue, crew, equipment, label, and traveling band take in—combined. Robbery.
Old news, but still.
Friday, October 23, 2009
Mattel Now Using Aqua's "Barbie Girl" in Commercial... Which It Once Sued Over Copyright Infringement
In 2002, everyone’s favorite appeals court judge (seriously, the guy never fails to entertain) Alex Kozinski told Mattel too bad, parody songs are a part of what you get for being a cultural icon—and included the classic line: “The parties are advised to chill.”
From suing the band for infringement to actually licensing and using the song in just a few years.
[via @wayneandwax]